Introducing: Milo Greene

We’re sure there are many types of bands in the world. But we’re going to simplify things for the purpose of this piece, and to illustrate a point. We’re going to suggest that there are two types of bands – bands that are simply here today, gone tomorrow, and ones that stay with us for a lot longer, are intrinsic to our record collections, and never veer far from our drunken pub conversations. To add to the latter category – bands who we’d go and see year after year, and ones we get excited by when they announce they’re releasing a record, or coming to our town.

It’s relatively early days for Los Angeles’ Milo Greene – they’re releasing their debut full length in the US next week – but we’re going to go out on a limb here and confidently suggest this bohemian looking quintet are with us for the long haul.

We came across these three songs of theirs (below) a few days ago, and have been listening to them wherever and whenever possible ever since. Put simply, it’s gorgeous, melody heavy, harmony filled indie folk that seduces you on first listen. It’s music, we imagine, created by people who were raised on the likes of Love and Crosby, Stills and Nash and have more recently lived in a world where Local Natives, Fleet Foxes and Edward Sharpe are lauded recording artists, all of the time basking in glorious Californian sunshine.

If there was ever an example of music being a direct product of its environment, this is probably it. Early single “1957” is the standout, and is sure to be Milo Greene’s calling card as they begin their inevitable rise to the top of alternative indie world. At three-and-a-half minutes, it encapsulates all that’s great about this band, and by the time it reaches its chanting, fist-pumping climax, you’re typing their name into Google to find out more.

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